He had lost interest in politics. “But if she’s already engaged to him, why risk criticism of him,” argued Joan, ignoring Madge’s flippancy. “It’s too late.”!

“Don’t think me a prig,” she pleaded. “I’m talking as if I knew all about it. I don’t really. I grope in the dark; and now and then—at least so it seems to me—I catch a glint of light. We are powerless in ourselves. It is only God working through us that enables us to be of any use. All we can do is to keep ourselves kind and clean and free from self, waiting for Him to come to us.” Joan recounted the episode—so far as the doorstep.

“I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” Suddenly, out of the mist, she heard voices. The waiter was standing beside him with the bill. She reached out her hand and took it. The usual few mistakes had occurred. She explained them, good temperedly, and the waiter, with profuse apologies, went back to have it corrected. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.